What problems are people having? My biggest issue with Live was always comping, it was wild to me it didn’t exist. I hear people mentioning delay compensation problems in Live all the time but I’ve never encountered one that couldn’t be fixed after figuring out why Live chose to handle it a certain way. I think Live 11 is more a "Live 10.2" than a Live 11. I am glad I stuck with Live 9 and skipped on Live 10 till this offer, cause I paid the discounted price for Live 10 a week ago and got the license for Live 11 for "free" as well.Īlthough I am planning on moving away from making finished tracks in Ableton and moving to Reaper, I am planning on Rewiring Ableton to Reaper and I also have students that use Ableton Live, so I have to be up to date. I have a 3,1 cheese grater that I patched with 10.13.6 and works just fine. I won't be getting it unless I get a new machine to replace my Graphics Mac Mini and get it for that one. It is stuck on 10.11 El Capitan and runs Live 10 just fine on it, along with Reason 11 and many older plugins. I saw that the system requirements were OSX 10.13 High Sierra and my music machine, a 8-core Cheese Grater tower, can't go that high. See up to 16 Macros – Access Macros 9-16 from a second page after the Rack page with Macros 1-8.I went to preorder Live 11 and then had to cancel the order. Polyphonic aftertouch support – Apply different levels of aftertouch to individual notes when using Wavetable, Sampler, and Arpeggiator for more nuanced and dynamic performances on Push. Key and Scale sync – The new Key and Scale feature in Live 11 is linked to Push and can be changed per clip. Changes to Push Live 11 also brings new functionality to Ableton's Push hardware instrument: Visualizations for new devices – See visualizations of key parameters in Hybrid Reverb, Spectral Resonator and Spectral Time on Push's color display and control them directly from the hardware. Upright Piano, Brass Quartet and String Quartet are three Packs created in collaboration with Spitfire Audio that capture popular orchestral instrument combinations in intimate detail. New sounds: Voice Box, Mood Reel and Drone Lab are Ableton-designed Packs that each explore the spectrum of a specific sound palette. Scene Follow Actions make evolving arrangements possible. Improved Follow Actions – Follow Actions can now be linked to the clip length, be set to jump to specific clips and be enabled and disabled globally. Velocity chance – Defines ranges for velocity probability for subtle, humanized variations in dynamics. Tools to add chance: Note chance – Sets the probability that a note or drum hit will occur. Rack improvements – Racks can be configured to have between 1 and 16 Macros, Macro states can be randomized with the push of a button. Macro Snapshots – Store the state of Macros for later recall. Features for the stage: Live Tempo Following – Live listens to and adjusts its tempo based on incoming audio in real time. PitchLoop89 – Creates jittery glitch effects, delayed digital shimmers and outlandish vibrato. Made in collaboration with Dillon Bastan. Inspired by Nature – Six playful instruments and effects that use nature and physics as their inspiration. Spectral Time – Transforms sound into partials and feeds them into a frequency-based delay, resulting in metallic echoes, frequency-shifted and reverb-like effects. Spectral Resonator – Breaks the spectrum of an incoming audio signal into partials, then stretches, shifts and blurs the result by a frequency or a note in subtle or radical ways. New devices: Hybrid Reverb – Combines convolution and algorithmic reverbs, making it possible to create any space, from accurate real-life environments to those that defy physical reality. MPE-capable native devices – Wavetable, Sampler and Arpeggiator are updated to support MPE. Expression View – Edit the pitch, slide and pressure envelopes of each note to refine the expression in your music. MIDI Polyphonic Expression: MPE support – Add bends, slides and pressure for each individual note in a chord, add subtle expression variations, morph between chords and create evolving sonic textures more easily. Linked-track editing – Link two or more tracks to edit their content simultaneously. The best parts of these takes can be stitched together for the final result. A partial list of what's new in Live 11 includes: Comping: Comping – Live organizes multiple passes of an audio or MIDI performance into individual takes. It comes with effects, instruments, sounds and all kinds of creative features-everything you need to make any kind of music. MacOS | | 3.0 GB Live is fast, fluid and flexible software for music creation and performance.
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